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05.12.2019 Gok 6 Comments

Sonata For Arpeggione And Piano - Schubert* - Various - Schubert

Label: Concert Hall - none • Format: 6x, Vinyl LP, Compilation Box Set • Country: Europe • Genre: Classical •
Download Sonata For Arpeggione And Piano - Schubert* - Various - Schubert

The guitarre d'amour, or arpeggione as it came to be known, was invented sometime during or by the respected Viennese guitar maker Johann Georg Stauffer. The instrument -- a kind of enlarged guitar that could be bowed, cello-style, due to an altered fingerboard -- was by no means a success; within just a few years of its birth it had for all intents and purposes suffered extinction. To music lovers, however, this short-lived instrumental curiosity will be forever remembered as the vehicle for Franz Schubert 's Sonata "per arpeggione" in A minor, D.

The three-movement Sonata must be altered somewhat if it is to be played on cello or viola: the arpeggione possessed six strings, tuned to the same pitches as a guitar's, and the resulting extended range can cause problems when the piece is transcribed; in most editions, certain portions of the piece are transposed up or down an octave from their original position to avoid Sonata For Arpeggione And Piano - Schubert* - Various - Schubert extreme registers.

However, Schubert by and large avoided the kind of idiosyncratic arpeggiations that earned the original instrument its nickname, focusing instead on the same focused lyricism that drives a traditional sonata for string instrument and piano; in this way, the work readily adapts to modern performance. The opening Allegro moderato is built around a wistful melody whose fame is such Chemical Insomnia - Epica - The Quantum Enigma many who have never heard or heard of the "Arpeggione" Sonata will find that they recognize the tune.

A second theme proceeds in gentle gusts of sixteenth notes; the arpeggione could not play fast notes with much volume at all, and so the Sonata's quicker portions are almost always marked piano or pianissimo. The Adagio is a rich but introverted musing on an almost hymn-like subject. Schubert places great emphasis on the Neapolitan chord -- a harmony also used to great effect in the opening movement -- during the movement's closing measures, weakening the Sonicflood - Sonicflood of the final cadence and thus inviting the soloist to improvise a brief transition into the final, multi-sectioned Allegretto.

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6 thoughts on “ Sonata For Arpeggione And Piano - Schubert* - Various - Schubert ”

  1. Schubert* / Bridge*, Mstislav Rostropovich, Benjamin Britten - Sonata For Arpeggione And Piano / Sonata For Cello And Piano ‎ (LP) Decca, Decca SXL , SXL
  2. Franz Schubert's Piano Sonata in A minor, D (posthumously published as Op. ), is one of Schubert's major compositions for the piano. Schubert composed the work in February , perhaps as a response to his illness the year before. It was however .
  3. The Sonata in A minor for Arpeggione and Piano, D. , was written by Franz Schubert in Vienna in November The sonata is the only substantial composition for the arpeggione which remains extant today. The sonata was composed in November , about a month after he had returned to Vienna from his second stay in Zseliz.
  4. Schubert composed the "Arpeggione" Sonata in November shortly after returning from Zseliz, where he had spent his second summer (the first one being in ) teaching music to the Count of Esterházy's two daughters.
  5. Discover releases, reviews, track listings, recommendations, and more about Schubert* / Bridge*, Mstislav Rostropovich, Benjamin Britten - Sonata For Arpeggione And Piano / Sonata For Cello And Piano at Discogs. Complete your Schubert* / Bridge*, /5(28).
  6. May 18,  · Schubert's Arpeggione Sonata is a very fine composition, and the performance on this CD is as good as it gets: highly recommended. But the Schubert sonata is not the star of this CD. Bridge's Sonata for Cello and Piano may be less immediately accessible (though it has beauty from the first impression), but it WEARS as well as any composition in the classical repertoire/5(3).

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