Label: Deutsche Grammophon - 477 9485 • Format: CD Album Cardboard Sleeve • Country: Germany • Genre: Classical •
Welcome to popular music site IsraBox! On IsraBox you can listen music for review is also you can download music albums. We present new, exclusive music and the hot hits for information. Have fun and enjoy the use of our website. IsraBox - Music is Life! Tracklist: CD 1 1. Beethoven: Sonata for Violin and Piano No. Allegro con brio 2. Tema con variazioni Andante con moto 3. Rondo Allegro 4. Allegro vivace 5.
Allegro piacevole 7. Allegro con spirito 8. Adagio con molt'espressione 9. Rondo Allegro molto CD 2 1.
Presto 2. Allegro molto 4. Allegro 5. Adagio molto espressivo 6. Scherzo Allegro molto 7. Rondo Allegro ma non troppo 8. Allegro 2. Adagio 3. Allegretto con variazioni 4. Beethoven: Violin Sonata No. Allegro con brio 5. Adagio cantabile 6. Scherzo IV Poco Allegretto - Adagio Espressivo - Tempo I - Beethoven* - Anne-Sophie Mutter 7.
Finale Allegro 8. Allegro assai 9. Badhead - Blur - Blur 21 (The Box) (Box Set, Album, Album, Album) di minuetto, ma molto moderato e grazioso Allegro vivace Adagio sostenuto - Presto 2.
Andante con variazioni 3. Finale Presto 4. Allegro moderato 5. Adagio espressivo 6. Poco allegretto 8. Mutter devoted the entire year, together with her partner, Lambert Orkis, to an extensive global tour focused on these works, and the accounts are infused with a sense Lambert Orkis - cross-connection, expressive freedom, and depth of insight acquired from such prolonged concentration. It shows Mutter in full maturity, commanding the artistic confidence to take risks and imprint her intensely personal signature.
Mutter's characteristically sumptuous, caressing tone tends to be overstated for Beethoven's heartily playful turns and mercurial humor in the fast movements of the Op. There's a full partnership between violin and piano too often missing in accounts of these works that allows Mutter and Orkis to play off each other with full-blooded spontaneity, perhaps at its most engrossing in the boldly searching scope of their "Kreutzer" Sonata, which stands in wonderful contrast to the intimate loftiness of the final sonata in G--Mutter's own favorite.
Throughout the set, Mutter couples her probing intelligence with nuanced phrasing, incisive rhythms, and expressive gestures notice the tender turn she gives to the all-important trill that opens the last sonata to bore into the music, unearthing many buried treasures.
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